dc.contributor.author | Al-Kharabsheh, Ali Qasim | |
dc.date.accessioned | 2020-08-10T07:08:37Z | |
dc.date.available | 2020-08-10T07:08:37Z | |
dc.date.issued | 2019-06-01 | |
dc.identifier.uri | https://journal.uob.edu.bh:443/handle/123456789/4069 | |
dc.description.abstract | I have addressed in this study the concept of correspondence as stated by some critics and poets who have tried to lay the foundations for it in modem criticism as an important subject in critical studies. The interest in this term began in the mid – nineteenth century and early twentieth century by a group of Western poets like ‘’Baudelaire and Mlarm “ Their impact was evident in the poems of the poets that came after them , whether Western or Eastern who were affected by the studies on the concept of correspondence and what they read of the poetry related to the construction of the poetic image . Researcher pointed to the importance of this concept as its study leads to the spirit of poetry. It may assist in exploring deeper meanings of the poem. Thus the poetic process becomes disassociated from the senses, be it visual , audio or others. Finally, this concept was of interest to some Arab critics at the present time , which made the researcher to highlight it as one of the most important components of displacement of in the modern poem and its artistic models. | en_US |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | Poem, Narrative | en_US |
dc.subject | mask | en_US |
dc.subject | Intertextuality | en_US |
dc.subject | Analepsis | en_US |
dc.subject | Commentary | en_US |
dc.title | Correspondence of the Senses and its Impact on the Building’s of Poetic Image | en_US |
dc.volume | Volume 2019 | en_US |
dc.issue | Issue 1 (33) | en_US |
dc.contributor.authorcountry | Jordon | en_US |
dc.contributor.authoraffiliation | Ajloun National University | en_US |
dc.source.title | Journal of Human Sciences | en_US |
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