Abstract:
This study seeks to reveal the aesthetics of semantic displacement in the poetry of Obaidullah bin Qais Alrkiet, with a displacement of various forms of semantic space quite a bit of linguistic structure for his poetry. This has contributed to the enrichment of the aesthetic dimension the texts of poetry, and expand the circle of inspiration away from direct. The study showed superiority of this phenomenon in the formation of a professional image of the poetry of Alrkiet in the maximum levels of influential aesthetic.